Wang Shuo wrote “hooligan literature,” a label meant as a compliment among international critics. The Beijing he depicted was one of vernacular, rebellion, and play, with antiheroes full of swagger…
Wang Shuo wrote “hooligan literature,” a label meant as a compliment among international critics. The Beijing he depicted was one of vernacular, rebellion, and play, with antiheroes full of swagger and cool…
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‘China’s Kerouac’ documented the country’s cool underclass
